Anthemis Paris
Sculptural baroque pearls. One virtual muse, the same face in every frame, and the pearls always the brightest thing in the shot.



Built from your own product photos. Your piece stays exactly as it is.
Why I work this way
I've designed brands for thirteen years. Then AI arrived and feeds filled with pretty things that sell nothing, made by people who never look at a number. Jewellery suffers most: AI loves to improve a piece until it isn't your piece any more. I work the other way round. Your piece stays exactly as it is. The format has already proven it sells. And the work is judged on sales, not on likes.
















One piece. Every world it belongs in.
01 · What changes
Tiny, reflective pieces are slow and costly to shoot. I build from the photos you already have.
Most jewellery ads tire within a month. The next version is ready before yours does.
Every frame is checked against your packshot: clasp, stones, finish and scale.
I read your live ads and your site first. You get a finished piece, not a questionnaire.
02 · The method
I read your live ads and find what's tired or missing.
Your real piece goes into a format that has already pulled millions of views.
Fresh versions arrive before the old ones tire.
03 · The check
The thief. Magpies steal what shines, so one steals the pendant straight off her shoulder. Inside the lens is the pendant as it sits on the shop page, on white.
Same emerald, same halo of diamonds, same chain. Only the story around it changed.
Every frame goes through this check.
04 · Ideas
Not cheaper photos. Shots no budget would ever approve, with your piece untouched in the middle of them.




05 · Work
Three jewellery houses, three directions. A look at each below; open one for the full story.
Sculptural baroque pearls. One virtual muse, the same face in every frame, and the pearls always the brightest thing in the shot.



An ethical gold ring, handmade in Paris. Accurate in every frame: packshots, staged scenes, a light sweep, a Christmas set.



A sapphire and diamond set. One product shot, thirty worlds: melting silver, crystal, underwater, a Paris night, creator unboxing.



06 · Formats
I don't guess. Each remake starts from a format whose best videos already pull millions of views, then your piece goes in.
FormatTop video

Format: Light sweep
Material: 18k yellow gold, emerald, diamonds
07 · Questions
Not if it's done properly. No painted-on sparkle, no melted clasps, no extra stones. If a frame isn't right, it doesn't leave my desk.
It's built from your packshot and checked against it, frame by frame. The piece is never redrawn; only the world around it is.
A link to the product, and ten minutes to say yes or no. I do the rest.
You do. You get the full-size files in 9:16, 4:5 and 1:1.
You'd get pictures. What you'd miss is everything around them. Behind every format here are hours of research and testing on what actually sells jewellery, so when an ad doesn't land I know exactly what to test next, and when one wins I know which pieces to scale it to.
The AI side is art direction, not typing. Two people with the same tool get completely different results, because they see differently. I brief every frame like a shoot: focal length, light direction, colour temperature, surface, mood. Your piece is locked from its packshot so it can't drift, and the same muse, grade and light hold across a whole campaign. That's what turns a generator into ads that sell.
It depends on how many pieces and formats a month. We set it on a short call, once we've looked at your ads together.
08 · Next
One piece in your range is ready to sell far more than it does. On a 20-minute call we go through your live ads together, pick that piece, and choose the first idea to put it in front of people. When it wins, we scale it.
Your piece